Gregory Hari (*1993 in Richterswil, lives and works in
Zurich) shows photographs from his personal archive,
showing casual actions with hands. With a
The overall installation sometimes
I feel like a filter is complemented by a performance. The stories that he tells
whispering and singing, connect the images and embed them
embed them in a larger whole. The photograph in the
first room is repeated on the performer's T-shirt. Personal anecdotes are given new meaning in the context of the
with new meaning in the context of the exhibition and are
changed in the memory. The re-enactment here is
a reliving, a renewed contextualization through a changed filter.
through a different filter. The filtering out of
the content and references of this work is part of Hari's
practice, which often deals with ritual gestures.
automatically translated from german
