Abstract
In this performance I use a contact microphone to make the public listen to my inside while i'm reading texts about anxiety, cannibalism, and secrets. The sound of my organs mixes itself with the sound of my voice and the sounds of the room or space i'm performing in. Thanks to this dispositive, the public is listeninig to both of my interiors, the one behind the skin and the one behind the words. In the end, I hang up the fleshed colored cards with the texts i'm reading written on and let them on the wall, as a testimony of the performance happening there.