| Titel | Jahr | author | Event |
|---|---|---|---|
Lebenswelt |
2019 | ||
july / lucy |
2018 | ||
Ich gehe täglich auf die Waage und hoffe auf ein Wunder. Preview |
2018 | ||
Photodendron |
2018 | ||
I Cry in My Calvins |
2019 | ||
Mob Mob Mob Mob Mob |
2019 | ||
magnitudes, tides and voices from the core(-horizon) |
2021 | ||
Care and Captivity |
2022 | ||
I ay eye aille 愛 – sticky eyelashes behind lavender sunglasses { it’s all real + add shiny filter } |
2022 | ||
The party is over |
2019 | ||
Stage of Confidence |
2017 | ||
(1) Matrix Digitales / (2) Ohne Titel |
2017 | ||
Table des matières / Table of contents |
2017 | ||
b#188 / working, living sculpture |
2017 | ||
(1) an eye on a reflecting plane—its lens slightly tipping the surface / (2) untitled |
2017 | ||
Eden |
2017 | ||
Kunsthaus Baselland |
2017 | ||
Adeline |
2017 | ||
Ohne Titel |
2017 | ||
(1) he is training smiling when he is alone in the train, forcing his muscles not to stop. he has got more than 50 face muscles, like us. by long distance train, he arrives at destination with a terrible trmbling face. he pretends to do it for the future, he doesn't care about real smiles. (2) Le plaisir est au bout! |
2017 | ||
Save the Poor Image / Hommage an Hito Steyerl |
2017 | ||
Die sieben letzte Lieder |
2017 | ||
(1) Rejetée / (2) Blueback |
2017 | ||
Bounty Beaches (Serie) |
2017 | ||
Black Molly Masse |
2017 | ||
Toter Winkel |
2017 | ||
Supercycle. The Transitional Nowness |
2018 | ||
111 (make the unknown unknown, partialy known unknown) / Bleaching |
2018 | ||
Description of an easement |
2019 | ||
(perfectly together) |
2022 | ||
Remember the earth’s crackles |
2020 | ||
May you live in interesting Times |
2020 | ||
FUD (Fear, Uncertainty and Doubt) |
2021 | ||
The legacy of hugs |
2020 | ||
Islands toward which the ocean rubs (“Hello resistance!”) |
2022 | ||
tu te réveilles ce matin le ventre contre une pierre |
2022 |