| Titel | Jahr | author | Event |
|---|---|---|---|
Sharing Knowledge in the Arts |
|||
Feministische Stimmen zur Wikipedia: Who writes his_story? |
2026 | ||
Accumulation: The Material Politics of Plastic |
2013 | ||
<h1>Haus der Kulturen der Welt</h1> |
2016-11-07T12:25:26+01:00 | ||
Never mind the nineties: eine Medienarchäologie des Kunststandorts Berlin |
2021 | ||
Eine Flexible Frau: Drehbuch und Materialien |
2022 | ||
The scream of the strawbear |
2023 | ||
Verplaatst |
2023 | ||
Die Mauerpark Affäre |
2018 | ||
Düne Wedding |
2020 | ||
Marx-Engels-Forum ja! |
2018 | ||
Economic words |
2021 | ||
The Power to Name and Frame |
2025 | ||
Noun to verb: Propositions for transformative intersectional publishing |
2024 | ||
Library Underground – A reading list for a coming community |
2016 | ||
I Speak Radio |
2024 | ||
Spielclub: Kinder Stadt Geld |
2024 | ||
Am Rand von EuropaCity |
2022 | ||
Man schenkt keinen Hund - (No): Bildbeschreibungen und Interviews |
2019 | ||
Treasures from the forest: tales of brazilian folklore |
2018 | ||
Inspiring the light in the darkness |
2018 | ||
Cold lens as a filter |
2023 | ||
Between you and me |
2019 | ||
Megazin 6: Direktübertragung |
2023 | ||
Megazin 1: Saga |
2023 | ||
Megazin 2: Ausbruch aus den Medien |
2023 | ||
Encontrar Palabras. Finding words Ein Projekt von Nicole Boillat mit der Autorin Sofía Biondi realisiert in Buenos Aires |
2022 | ||
On the edge of: Goldrausch 2023 |
2023 | ||
Tender hooks: Goldrausch 2022 |
2022 | ||
Help! David Cameron likes my art |
2018 | ||
Ecologies of Dissemination: decolonial knowledge practice, feminist methodology and Open Access |
|||
An intersectional feminist approach to publishing. It’s not only about what I share, but how I share it |
2024-11 | ||
Luege & Zeichne. Watch & Draw |
2023 | ||
Gravity ein Fotobuch von Nara Pfister |
2023 | ||
Der Katalog als Erzählung. Über die «Library of Inclusions and Omissions» |
2021 | ||
All events | les Abattoirs |
2016-11-09 16:25:26 |