| Titel | Jahr | author | Event |
|---|---|---|---|
Performancefragmente Tag 2 Narrativ, Vogelhaus, Tasse_Tornado |
2025-08-29 |
Daphi, Dorothee; Scherrer, Ursula; Stenz, Jasminka
|
|
Everything must Change |
2025-08 |
Grau, Pascale
|
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Probe: ARCHIVES & BEYOND - Re-Performance Freitag |
2025-08-22 | ||
Generalprobe ARCHIVES & BEYOND I - Handyaufzeichnung + Fotodokumentation |
2025-02-20 | ||
Podiumsgespräch - ARCHIVES & BEYOND |
2025-08-30 |
Daphi, Dorothee; Grau, Pascale; Scherrer, Ursula; Stenz, Jasminka; Izquierdo, Lorena; Weismann, Steffi; Ganderath, Greta; Lurk, Tabea; Mühlebach, Vera
|
|
Brennendes Haus Teil 1 + 2 |
2025-08-30 |
Weismann, Steffi
|
|
Performancefragmente Tag 3 Unglückshaus, BirdHouse_Seil |
2025-08-30 |
Weismann, Steffi; Izquierdo, Lorena
|
|
Performancefragmente Tag 1 Everything must change, In my Room |
2025-08-28 |
Grau, Pascale; Ganderath, Greta
|
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Analogien 1995 - 2025 |
2024/2025 | ||
Plant Cognition and AI in Comparison—A Mental Game |
2025 | ||
Workshop Just Listen! Soundscape as a designable common good. |
2020-12-16 | ||
Le Homard - Entstehungsprozess Einer EP, Becoming A Singer/Songwriter |
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In der Zwischenzeit… Zur Überlieferung von Performance Kunst zwischen archivischer Erinnerung(-sarbeit) und künstlerischer Praxis am Beispiel des Re-Performance-Projekts ARCHIVES & BEYOND von Pascale Grau und Dorothee Daphi |
2026 | ||
Die Pop-Up Mediathek der HGK Basel FHNW. Ein Diskussionsformat unter dem Titel 'Ask a Librarian'. Dokumentation |
2024 | ||
Pretty Ugly. Redefining the aesthetic narrative of a shopping trolly |
2022 | ||
Zeugenbericht Matthias Scheurer |
2025 | ||
Santo Amaro’s bedroom view (after a painting by José Escada) |
2021 | ||
M290 O domine Iesu Christe adoro te resurgentem a mortuis |
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A Quest into Colour. Natural Colours and Their Creative Qualities |
2022 | ||
Performance: Low Tech Music in a High Tech Community |
2003 | ||
Dokumentation zu "Once Upon A Time" von Vladimir Mitrev |
2017 | ||
M262 O domine Iesu Christe adoro te resurgentem a mortuis |
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I Have seen a angle Version V Teil 2 |
1995 |
Nieslony, Borys
|
|
Zeugenbericht Irene Maag |
2025 | ||
Zeugenbericht Freya |
2025 | ||
Archivpraxis and Beyond - Podiumsdiskussion |
2025-08-30 | ||
Diagraming Practice: a Workshop exploring Archives and their Relationship to Databases |
02.11.2018 | ||
Postcard 10: Closed Archive. Almost a visit to the Montreux Jazz Heritage Lab |
2021 |
Brander, Gertrud; Mertenat, Joé; Steiner, Nadja
|
|
Performance Lektüren |
2013-09-27 |
Gebhardt Fink, Sabine; Bernadett, Settele; Wittmer, Stephan; von Büren, Margarit; a&a
|
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04 | Gilbert Riedelbauch | Cultural Spaces - A Point of View from Canberra, Australia |
2017-06-21 | ||
Ein Bett in Rom |
2018 |
Widmer, Birgit
|
Tart
|
Researching the Restiveness: This is NOT a Performance. This is NOT an Ethnography |
02.11.2018 |
Yau, Wen
|
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Tee mit Göttinnen: Haus sehen - Haus haben |
1994 |
Daphi, Dorothee; Grau, Pascale; Backner, Susanne; Moebius, Matthias
|
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An Evidence-based Reconstruction of a Viol after Silvestro Ganassi |
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Anweisung: IN MY ROOM - FEEDBACK & SPIELREGELN |
2025 | ||
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 |