| Titel | Jahr | author | Event |
|---|---|---|---|
of the world |
2026 | ||
Say These Names |
2016 |
Minder, Maya
|
Act Performance Festival
|
Karabol |
2024 | ||
Die Pause |
2016 | ||
Organisation du projet - Colloque |
|||
e-flux Index #3 |
e-flux
|
||
Lemusa 07 Iles-Puendevis |
2025 | ||
Lemusa 02 Est-Bidonnais |
2025 | ||
L'ID CULTEUR |
2014 | ||
Perspiraterie |
2014 | ||
Verspielt |
2006 | ||
TO STYLE IS TO RESIST |
2025 | ||
Lemusa 04 Ouest-Sampogne |
2025 | ||
Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production |
2021 | ||
Almanaque: A Collaborative Approach to Design Research and Puerto Rican Identity |
2021 | ||
Introduction - Everywhere and nowhere: Convening the 2021 DHS Annual Conference online |
2021 | ||
CC_Cycles of Circulation PUBLICATIONS |
2025 | ||
Unter Pflanzen - Exhibition |
2025 |
Meyer, Kathrin; Volkart, Yvonne; Ohlig, Moritz; Olivotto, Sophie
|
|
cLab |
2011 | ||
Community-Daten an Bibliotheken und kulturellen Archiven: Zur Macht von persistenten Identifikatoren in Anbetracht der Sustainability Goals der UNESCO |
2023-11-10 | ||
ADVA (accessible digital visual agency) EN |
2025 | ||
Anderswo 02 Auftauchen |
2008 | ||
Reviving the memory of Modernist type designer Joan Trochut |
2021 | ||
Der Raum nach dem Werk Zugänge und Ausschlüsse in Ausstellungsräumen |
2026 | ||
We Layer, We Connect, We Multiply |
|||
Affecting Bubbles |
2024 | ||
ADVA (accessible digital visual agency) |
2025 | ||
expedition.02 |
2002 |
|
|
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 | ||
Filmische Dokumentation videocity 2019 "Loneliness" eBoard Congress Center Basel |
2019 |
Gresenz, Julian
|
|
Blog und Rezension des Kunstmuseums Bern in Zusammenhang mit dem SYMPOSIUM «ARCHIVE DES EPHEMEREN» |
2019 | ||
WIDERSTÄNDIGE WECHSELWIRKENDE ARTEFAKTE |
2026 | ||
Lemusa 06 Sud-Goulousin |
2025 | ||
Mind the GAP – Berner Selfies |
03.11.2018 |
Nieslony, Boris
|
|
El Origen: Die Anerkennung der Identiät durch das Bild |
2020 | ||
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 |