| Titel | Jahr | author | Event |
|---|---|---|---|
Study from Böcklin |
2019 | ||
Tunnel; Spiral 1–5 |
2022 | ||
MIAMI; Spinne |
2019 | ||
fire ages |
2021 | ||
4 Läufer + Untitled |
2021 | ||
What does it take to win your love for me? |
2021 | ||
de-structure |
2018 | ||
Hilanderas (James S. Brady Briefing Room, White House, USA February 25, 2020) |
2020 | ||
BECOMING LYSANN |
2021 | ||
Hug Me Barefoot |
2022 | ||
360 |
2022 | ||
MAMA HAT DICH LIEB von Carla Monti, 2002 |
2018 | ||
SELF PORTRAIT |
2018 | ||
A Dialogue between a Wooden Moth and Blue Slippers |
2022 | ||
nine smaller paintings |
2019 | ||
Portraits 1–14 |
2020 | ||
growing anyway |
2020 | ||
SOMA |
2020 | ||
Deep down the oceans are rising hydrothermal vents |
2020 | ||
Stage for disappearance |
2020 | ||
Agate Grey |
2019 | ||
Love, Transform, Repeat |
2021 | ||
Santo Amaro’s bedroom view (after a painting by José Escada) |
2021 | ||
fermentedself |
2021 | ||
Collaborations |
2018 | ||
on this side of the wall; things behind the light; on the edge of the forest; in three phases; you are looking the wrong way; diluted in the grass |
2022 | ||
Innards 1–5 |
2018 | ||
Get the bird out |
2019 | ||
Decor one to nine |
2020 | ||
k.A. |
2018 | ||
Dogs Don’t See Rainbows |
2019 | ||
Attractive Spots |
2019 | ||
Everything from shells + Buoyancy - Two sets of inland floating devices |
2021 | ||
Tralala |
2019 | ||
le souffle court |
2020 | ||
Erratic Behaviour; Heatwave |
2022 |