| Titel | Jahr | author | Event |
|---|---|---|---|
revue |
2019 | ||
| 2019 | |||
Homo Deus |
2020 | ||
Yes to Paradise and its intense impact on our lives |
2020 | ||
LOVE ISSUES |
2018 | ||
"We are all failures-at least the best of us are." J. M. Barrie |
2019 | ||
Ultraviolet II: Urge for the being. Wir haben uns in der materiellen Welt mächtig ausgetobt und nun ist es an der Zeit eine andere Welt zu erforschen. Es ist an der Zeit eine Brücke zwischen "Sein und Schein" zu bauen. |
2021 | ||
no title |
2018 | ||
x |
2018 | ||
How to get in touch |
2019 | ||
NO FUN |
2019 | ||
ZWISCHENSTAND: EIN ANFANG |
2022 | ||
SALIVA |
2019 | ||
Ideally we would shine |
2020 | ||
uncensored |
2020 | ||
MEAT THE MISTAKES. MEAT AND SMALL FAULTS |
2021 | ||
There’s an alligator in my kitchen |
2021 | ||
x |
2018 | ||
DER LÄRM IN MIR |
2022 | ||
"There is nothing more - but time" |
2018 | ||
HANDS AND WONDERS |
2020 | ||
Future II |
2020 | ||
Was schon da ist, wahrzunehmen, den Kern einzupflanzen, wässern und wachsen zu lassen. |
2021 | ||
Es war etwas äusserst Praktisches.. It was also really practical. |
2018 | ||
x. This collection is inspired by Meret Oppenheims surrealist art and the subjective experience of being a woman. A portrait of modern femininity. |
2018 | ||
Im Dazwischen. In the in-between |
2018 | ||
Elegance is the suavity in movement. |
2019 | ||
SHOES IN PARIS ARE INCREDIBLY BORING |
2020 | ||
ALIEN |
2020 | ||
HOMME FATAL |
2020 | ||
EIN ZWEITES LEBEN SCHENKEN |
2020 | ||
Niccefn / NCCFNFF |
2018 | ||
You say Witch like it`s a bad thing. |
2019 | ||
-ok?- |
2019 | ||
Im Nebel |
2020 | ||
FANFARE |
2020 |