| Titel | Jahr | author | Event |
|---|---|---|---|
Dreams of ashes and smoke |
2022 | ||
o o (Tagpfauenauge) |
2016 |
Natsch, Yolanda Esther
|
|
short attractions |
2015 |
Ernst, Esther
|
|
Auftritt für zwei Schlagzeuge |
1996 |
Hiepler, Esther; Sibylle, Hauert; Eva, Widmann
|
|
Audioreflexion zu Esther Ferrer: Mais qu’est ce que c’est une performance? |
|||
What is a performance then? | Mais qu’est ce que c’est une performance? | En realidad ¿qué es una performance? |
02.11.2018 |
Ferrer, Esther
|
|
Convenors' review of day 2 |
Sept 4, 2021 |
Ernst, Meret; Gaspar, Monica
|
|
Briefing Postcards from Switzerland |
2021 | ||
Keynote 4: Alfredo Gutiérrez Borrero, Universidad Jorge Tadeo Lozano, Bogotá and closing ceremony |
Sept 4, 2021 | ||
Memory Full Website |
2021 | ||
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
Summary pre-conference programme and keynote 1: Ahmed Ansari, New York |
Sept 1, 2021 |
Ansari, Ahmed; Oropallo, Gabriele; Ernst, Meret; Cosich, Tai; Bischler, Sandra; Anderson, Fiona
|
|
Official opening and keynote 2: Alexandra Midal, HEAD, University of Art and Design, Geneva |
Sept 2, 2021 |
Midal, Alexandra
|
|
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
Convenors' review of day 1 |
Sept 3, 2021 |
Ernst, Meret; Gaspar, Monica
|
|
Introduction - Everywhere and nowhere: Convening the 2021 DHS Annual Conference online |
2021 | ||
Book presentation 6: meet the author Claude Lichtenstein |
Sept 4, 2021 |
Lichtenstein, Claude; Ernst, Meret
|
|
good news - bad news |
2000 |
[stoeckerselig]
|
|
Alienator on Tour, Kinshasa |
2010 |
[Charlatan]
|
|
Encounters with Ernst Krenek |
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Encounters with Ernst Krenek |
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40 Minuten Stehen |
2001 |
|
|
24 Stunden Wassertragen |
2006 |
Zollinger, Thomas
|
Nacht der 1000 Fragen
|
kunstwette.ch |
2010 |
Belobrovaja, Marina
|
|
Magie des Gehens |
2005 |
|
|
Undine |
2003 |
Häusler, Esther Maria; Frei, Lilian; Lempert, Thomas; Baier, Rafael; Zweifel, Eliane; Vent, Junja
|
|
Mauerwerk |
1993 |
Häusler, Esther Maria
|
|
La Follia - eine theatralische Tanzoper |
1995 |
Häusler, Esther Maria
|
|
Landing |
1988 |
Häusler, Esther Maria
|
|
Aria Condizionata |
1995 |
Häusler, Esther Maria; Lempert, Thomas; Scagnetti, Dina; Schibli, Daniel
|
|
Seefeld-Tanzprojekt (Spielstätte und Probelokal für Tanz und Performancekunst) |
1983-1996 |
diverse
|
diverse u.a. ,Tageslicht und ,auswärts'
|
3 Frauen im See |
1989 |
Wirth, Ursi; Glinz, Gabi; Häusler, Esther Maria
|
/
|
Detox Dance |
2016-2020 |
[Roma Jam Session art Kollektiv]
|
Parallel Events Manifesta 11 Zürich, Decolonize Art Instutions (Kunstmuseum Basel), ZhdK Toni Areal: OnCurating - Work, Migration, Memes, Personal Geopolitics, Kollaboration mit Ayllu Collective Madrid, Contemporary Art Biennales - Our Hegemonie Machines (Parallel Event 9. Bucharest Bien0nale), Kampagne zur Anerkennung der Roma in der CH, Kollaboration mit NGO GfbV, Bern
|
Marcel Broodthaers, 50 ans après: Section Digestive |
2018, 2019 |
Natsch, Yolanda Esthersther Esther
|
Einzelausstellung
|
Lecture on a relevant (but unknown) performance artist |
2020 |
Natsch, Yolanda Esthersther Esther
|
Online Pudel Rudel
|
Dr. Leontine Schelling |
2012, 2013, 2016, 2018 |
Natsch, Yolanda Esthersther Esther; König, Lysann
|
Regionale 13, Ausstellung "Kapitel 3: Der Raum" (2013); Ausstellung "BeiSpiel" (2013); Ausstellung "Every Contact Leaves a Trace" (2016); Ausstellung "Das Kapital ist weg. Wir sind das Kapital" (2018)
|