Recalibrating Sense of Place |
2022 |
|
|
digital communication in the art museum environment |
2022 |
|
|
Visual Communication for Gender Inclusive Makeup |
2022 |
|
|
Invisible Borders. An outsider's perspective through a participatory approach |
2022 |
|
|
Italic. A Renaissance Legacy.. Elaboration, development, and new uses of Italian Chancery script. |
2022 |
|
|
A Visual Designer Reflects on Flagship Species. How a More-Than-Human Approach Can Help Reframing Our Relationship With Nature |
2022 |
|
|
Workshop Matters. Visual inquiry into co-workshops |
2022 |
|
|
NEUTRAL*. An exploration of the influence of grammatical gender on visual representation |
2022 |
|
|
Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 |
|
|
Living Traces. A Speculative Experiment on Visual Memories |
2022 |
|
|
Piercing cinema: an inquiry into the versatility of the screen space configurations |
2022 |
|
|
Data Image Dialogue. The Potentiality of the Digital Photograph as Data Visualization Tool |
2022 |
|
|
The Simplification of Abstract Realities. Visualizing science and testing methods of interaction between design and other disciplines. |
2022 |
|
|
Still and moving images juxtaposition and superimposition for object representation.. Design and Analysis of object visuals representation of Eclisse (lamp) by Vico Magistretti. |
2022 |
|
|
A Quest into Colour. Natural Colours and Their Creative Qualities |
2022 |
|
|
Conceptualizing Art Documentation: A New Awareness on Preservation and Exhibition Practices |
2022 |
|
|
in, with, or without Nature. Practice-led Research into Today’s Natureculture |
2022 |
|
|