| titel | year | author | event |
|---|---|---|---|
FIRE OF EMOTIONS : THE ABYSS |
2017 |
[pamina de coulon]
|
|
How to heal our broken hearts |
2016 |
De Pinto, Pier Giorgio
|
Zurich Dada 100 Jubilee at Cabaret Voltaire
|
Hier baut das Kunsthaus Aussersihl |
2018 |
Bucher, Gina; Germann, Monica; Hepsev, Seda; Hofer, Susanne; Hofer, Urs; Maag, Georgette; Menzi, Joelle; Michell, Regula; Ruiz de Sabando, Ana Rakel; Schnederle, Ruth; Sieber, Sebastian; Spörri, Regula; Visser, Jeroen; Wiersch, Latefa; Cuttat, Desirée; Zimmermann, Anita; and friends
|
Stundengalerie vor der Amboss Rampe, Kunst Szene Zürich 2018
|
in bocca al leone – ohne Frauen kein Krieg |
2019 |
Frei, Lilian
|
Projekt Löwendenkmal
|
If I were in your shoes I would wear your shoes |
2016 |
De Pinto, Pier Giorgio
|
Manifesta 11 - Zurich
|
Creatures #4 |
2016 |
De Pinto, Pier Giorgio
|
|
can't read the real thing |
1990 |
m.vänçi stirnemann
|
|
Remolacha y Bayas (Rote Bete und Beeren) |
2013 |
Bucher, Claudia
|
Performance teoría y práctica, Vacultat de Bellas Arts de Sant Carlos
|
Digital Fingerpaint |
2013/2017 |
De Pinto, Pier Giorgio
|
XVII Penne Biennale, Penne, Pescara, Italy and Sensorium, group show at Galleria Civica d'arte moderna e contemporanea, Floridia, Siracusa, Italy
|
ZZZ Zeitfenster zur Zukunft Nr. 2 |
2021 |
de Baan, Nora; Berndt, Tobias
|
AIR_WASTE_HEALTH_WATER_ENERGY_EARTH_SOIL
|
Rage / Going Public 1 / Omomoto / Loosing or keeping contro in a more or less joyful way / Mensche, Tiere, Sensationen |
2019, 2014, 2011, 2010, 2006 |
Spieser, Vreni
|
BONE - Festival für Aktionskunst;
Innerschweizer Jahresausstellung;
Schlachthaus Bern / öffentlicher Raum Stadt Zug / Fribourg Stadt+ Bollwerk / Kunstmuseum Lu-zern / White Space Zürich
|
passepartout, what goes up must come down, 2005 |
2005 |
Ausstellung "Unruhe bitte!, Theaterhaus Gessnerallee Zurich"
|
|
WE NEED SPACE UPDATED |
2019 |
Semoroz, Julie
|
Swiss Performance Art Award
|
sublimate cell - eine Ode an Louise Bourgeois |
2005 |
Schmalz, René
|
|
commedia del arte |
1992 |
Borter, Ingrid; Brun del Re, Angelo; Dietrich, Guido; Kobler, Pedro; Lenzlinger, Jörg; Linsi Eth, Roshan; Perren, Chrig; Schick, Cat; m.vänçi stirnemann; Zapata, Victoria
|
|
Santo Amaro’s bedroom view (after a painting by José Escada) |
2021 | ||
Building Empty Holes |
1991 |
[The Haters]
|
|
Gathering Noseland |
2020 |
[The Gathering]
|
The Gathering
|
Saterday Night Fever |
2021 |
Honauer, Géraldine
|
it almost felt like the voice of a close friend
|
I Object |
2020, 2021 |
[The Field]
|
|
Take your body for a walk (Score) |
2021 |
[The Field]; Gillette, Monica; [Tanzhaus Zürich]
|
Zürich Tanzt
|
Post-Show Talk |
2019 |
[The Field]
|
|
Question Kiosk |
2021 |
[The Field]
|
|
Compagnon. Concept Car – Mobilität für jedes Alter |
2021 | ||
Anna VI – Floating Gaps |
2012 |
Rust, Dorothea
|
Book Launch "Floating Gaps - Performance Chronik Basel (1968–1986)"
|
Bees |
1980 |
Hentz, Mike
|
|
Scalable Skeletal Escalator (open rehearsal) |
2020 |
Lewis, Isabel [The Field]; Collaborators
|
Zurich Art Weekend
|
PIG EXCURSION |
2021 |
[dance collective nonstopillusion]
|
|
-lalia |
2021 |
Gawęda, Dorota; Kulbokaitė, Eglė
|
Swiss Performance Award 2021
|
621.371miles |
2020 |
Lipp, Dominik; Wojtulewicz, Aleksander
|
International Performance Art Giswil
|
Contemplations |
2021 |
Klingler, Monica
|
Swiss Performance Award
|
As long as can be a sculpture, I don't wanna die |
2021 |
Nüssli, Lika; Jenny, Marc
|
Swiss Performance Art Award
|
Wer die Liebe tötet |
2006 |
Ghisalberti, Flavia; Feyfar, Patrik
|
|
TINGEL TANGEL |
2011 |
Odermatt, Corinne; Zumbühl, Anita
|
Tingel Tangel
|
AURALROOTS |
2014 |
Scott, Jill
|
Sensoria
|
MASISTERS. Healthy Mind Healthy Body |
2021 |
Mihaylova, Albena; [Women on the Edge]
|
Exhibition in Romfeia Gallery
|