| titel | year | author | event |
|---|---|---|---|
Belluard Bollwerk |
1983-2021 |
Ohno, Kazuo; Marclay, Christian; Hodge, Raimund; Platel, Alai; Sierens, Arne; Bel, Jérôme; Tunick, Spencer; [Schick&Spieser]; LeBoulba, Pauline
|
Bollwerk, Belluard
|
«Oceanic Issues - Mensajes Oceánicos» |
2021 |
Saemann, Andrea; Regn, Chris
|
|
Ina Lohr: A Link between the Swiss and Dutch Early Music Movements |
2016 | ||
Teaching the Radical Catalogue – a Syllabus |
2024 | ||
The Other Things |
2018 |
Mihaylova, Albena; [Women on the Edge]
|
Exhibition in Romfeia Gallery
|
bildwechsel Hamburg / Basel |
2018 | ||
Publikum/ Event |
2015-04-18 | ||
Say these Names, 2009-2015 |
2015-04-18 |
Minder, Maya
|
|
Data Recovery of Lithuanian Design History: stories and links from visual folders of Antanas Kazakauskas’ archive |
2021 | ||
Vierfüsser / Animal Walk |
1995 (auch 1992 und 1993 in ähnlicher Form aufgeführt) |
Fuchs-Jacques, Esther
|
Auswärts
|
Gesangs/Zeichnungs-Performance, grossformatig (mit verbundenen Augen) |
2021 |
Simon, Regina
|
|
Für die Vögel - partizipative Intervention |
2018 |
Hausheer, Angela; Bachmann, Leo
|
UM 2018 (Uckermarkfestival)
|
24 Stunden Performance |
1999 |
Zollinger, Thomas
|
|
perFORM¡ Performance-Festival 2021 "re:load" |
2021 |
Künzler, Astrid; Hochuli, Gisela [The Gathering]; Lipp, Dominik [The Gathering]
|
perFORM¡ Performance-Festival 2021 re:load
|
Pre-empting loss through ‘fashion memory’: a ‘postconservation’ perspective |
2021 | ||
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 | ||
SIE BEFINDEN SICH HIER / Ende der Vorstellung |
2006, 2004 |
Andereggen, Ariane; Mathis, Markus; Hohstellter, Thomas U.; Ursin, Herwig; Heierli, Frank
|
|
Programm / Abstracts / Bios |
2018 | ||
Design Debates, Reader Voices, and the Histories within Design Blogs |
2021 | ||
fastwurstmachine |
2007, 2008 |
Bottini, Max; Siedler, Valentin
|
Zykluseröffnung des Black-Box Videoprojekts im Kinok St. Gallen
|
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
Performance Art Roll On – Eine Annäherung an Lücken der Ausstellung Performance Process im Museum Tinguely | An Approach to Gaps in the Exhibition Performance Process at Museum Tinguely |
2018 |
|
|
A Swiss Study Room Guide |
2020 |
Saemann, Andrea; Amsler, Madeleine; Paterson, Mary; Keidan, Lois
|
|
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
BANG BANG: Soziale Eleganz - Come and Show Dokumentation |
2022 |
Huber, Judith; Mathis, Muda; Saemann, Andrea; Regn, Chris; Eriksson, Lena
|
BANG BANG: Soziale Eleganz
|
Trobadora Broll singing about Lady Goddesses at the Equator |
2021 |
Regn, Chris
|
|
A missing narrative of Ghana’s graphic design history |
2021 | ||
Visualisierungsstrategien von Archiven der Performance- und Medienkunst am Beispiel von VALIE EXPORT |
03.11.2018 | ||
Capability of Design for “Modernizing” the Memories of History: The Jerusalem Committee’s Ambitious Challenge |
2021 | ||
Say the names |
2015-04-11 | ||
Say the names |
2015-04-11 |
Minder, Maya
|
|
Trompeterensembles und ihre Musik im Spätmittelalter |
2021 | ||
Changing aesthetical taste in ottoman interiors in the 1740s |
2021 | ||
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 | ||
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 | ||
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 |