| titel | year | author | event |
|---|---|---|---|
Performance Art Roll On – Eine Annäherung an Lücken der Ausstellung Performance Process im Museum Tinguely | An Approach to Gaps in the Exhibition Performance Process at Museum Tinguely |
2018 |
|
|
Book of Abstracts of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
A Swiss Study Room Guide |
2020 |
Saemann, Andrea; Amsler, Madeleine; Paterson, Mary; Keidan, Lois
|
|
Visualisierungsstrategien von Archiven der Performance- und Medienkunst am Beispiel von VALIE EXPORT |
03.11.2018 | ||
Trobadora Broll singing about Lady Goddesses at the Equator |
2021 |
Regn, Chris
|
|
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
Say the names |
2015-04-11 | ||
Say the names |
2015-04-11 |
Minder, Maya
|
|
A missing narrative of Ghana’s graphic design history |
2021 | ||
Capability of Design for “Modernizing” the Memories of History: The Jerusalem Committee’s Ambitious Challenge |
2021 | ||
Trompeterensembles und ihre Musik im Spätmittelalter |
2021 | ||
Changing aesthetical taste in ottoman interiors in the 1740s |
2021 | ||
message salon Ankerstrasse 6 |
1996, 1997 |
Eppstein, Esther
|
|
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 | ||
Reenacting INTEC. Providing a material body to the socialist functionalism of Chile’s Unidad Popular government. 1970–1973 |
2021 | ||
‘An Irish Industrial Tribute to the Blessed Virgin Mary’; Catholic Industrial Habitus in Sunbeam-Wolsey, Cork, Ireland, 1940-1960 |
2021 | ||
ADVA (accessible digital visual agency) EN |
2025 | ||
Konzert: Maywa Denki - Die Fabrik der Nonsens-Maschinen |
2011 | ||
Witio Geschichte |
2026 | ||
Instant Gain in Grace |
2005 |
Kulka, Irena
|
Zappy Birthday zum 150 Jahre Jubiläum der ETH
|
Game: Der Polder |
2013 | ||
Interview von Margarit von Büren mit Gaspard Buma, 25.11.2010 mit Gaspard Buma |
25.11.2010 | ||
Die «Écuries» von Versailles |
2009 | ||
Die "Écuries" von Versailles |
|||
Performance: Klangskulptur Nyloïd |
2015 | ||
Nora Mathys und das Ringier-Bildarchiv |
2013-12-14 | ||
Passage |
2018, 2019 |
Schaffer, Did
|
Eröffnung des neuen Tanzhauses
|
Artist Talk: :digital brainstorming besucht etoy |
2003 | ||
A Designer’s Journey. The poster: A valid medium for transformative design? |
2021 | ||
Plakatwand Wilde Archive |
01.11.-03.11.2018 | ||
Lecture: HackteriaLab 2011: Kunst mit Biologie und digitaler Technik |
2011 | ||
stage fright |
2013-06-23 |
WORMS
|
|
point de beauté |
2013-06-23 |
Dambly, Boris
|
|
Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production |
2021 | ||
Almanaque: A Collaborative Approach to Design Research and Puerto Rican Identity |
2021 | ||
El Origen: Die Anerkennung der Identiät durch das Bild |
2020 |