| titel | year | author | event |
|---|---|---|---|
Vulva Art: An Embodied Palimpsest. How does Vulva Art graffiti represent, subvert and impact women embodiment through its use as an embodied palimpsest? |
2021 | ||
Mutual matters: Goldrausch 2021 |
2021 | ||
Ein verlassener Ort |
2018 | ||
Unter der Treppe |
2018 | ||
Einfall |
2018 | ||
Die Bärenhöhle |
2018 | ||
Migma Programm 2010 |
2010 | ||
Get Shot |
2013 | ||
Translational imagery. Revealing the invisible aspects from things through the abstract translational technique |
2021 | ||
Data Recovery of Lithuanian Design History: stories and links from visual folders of Antanas Kazakauskas’ archive |
2021 | ||
GepettoDigital |
2008 | ||
Rock Cakes, Rations and the Common Good: Performing postgraduate Design Education |
2021 | ||
Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction |
2013 | ||
Interview von Margarit von Büren mit Gaspard Buma, 25.11.2010 mit Gaspard Buma |
25.11.2010 | ||
Pechichal |
2018 | ||
Once upon a time … or: Something I remember. Investigating the connections between a written text and its visual form |
2022 | ||
Aroma Colorado |
2025-08 | ||
Designing the Future-Past: Ceramics and the forgetfulness of modernity |
2021 | ||
ZWISCHENSTAND: EIN ANFANG |
2022 | ||
MADE IN BASEL |
2005 | ||
Colorado |
2025 |
Mensch, Julia
|
|
It's all about Love |
2009 |
De Pinto, Pier Giorgio
|
|
Amaranth as Political Agent |
2025 | ||
Die Wand, der Boden |
2011 | ||
Stereovision |
2006 | ||
Written Images |
2010 | ||
Projekt UNIQFORM |
2006 | ||
Diary of a Nonrealization |
2023 | ||
Proceedings of the DHS Annual Conference 2021 "Memory Full? Reimagining The Relations Between Design And History" |
2021 | ||
CC_Cycles of Circulation SUBPROJECTS |
2025 | ||
Interview mit Reinhard Storz im Rahmen des SNF-Forschungsprojekts Sharing Knowledge in the Arts am IXDM der HGK Basel FHNW |
2024-11-07 | ||
Artesanías vs Design: Unveiling Design Hegemonies over Traditional Crafts in Chile |
2021 | ||
Concept Art. Weltenbauen im Raumbild |
2018 | ||
Sharing as an act to feel connected |
2024 | ||
C02 Beata progenies |
|||
Basso Continuo on the Harp for “Alma che ti sollievi” (Orazio Michi) |
2021 |