| titel | year | author | event |
|---|---|---|---|
MEN CRYING: DISCO LOCKER ROOM, TONY FROM SKINS, I’M NOT CRYING |
2021 | ||
It belonged to time now, to history; was past the touch and control of the living |
2022 | ||
we used to be straight |
2022 | ||
Plats de Résistance |
2018 | ||
VERSIONS |
2018 | ||
Der nie zu fixierende Zustand des Dazwischen |
2018 | ||
naughty lil Thomas |
2022 | ||
Scar Tissue |
2022 | ||
Alogo |
2019 | ||
Butter |
2019 | ||
no lemon – no melon |
2019 | ||
It’s not easy, but it’s simple |
2018 | ||
We’re not even leaving the ground |
2020 | ||
Recipes of displacement to the architecture of no language |
2020 | ||
Mute mutt and deadspace |
2020 | ||
Fuga |
2020 | ||
BROTCAST. Im Kollektiv über Mehl und Brot.. Eine Auseinandersetzung mit kollaborativen Prozessen in der Kunst und Kunstvermittlung von Maja Müller und Andrina Keller |
2021 | ||
Der blaue Hummer |
2020 | ||
First-come, First-served |
2021 | ||
www.mäschi.com |
2021 | ||
Destroyed lives of Ukrainians |
2022 | ||
To gain speed, to move faster |
2022 | ||
Streamer |
2019 | ||
Falter, hellwach |
2019 | ||
Selected Works with Special Guest |
2018 | ||
causal fow |
2019 | ||
Frame for One |
2021 | ||
Soft radiation |
2021 | ||
Iris / Christopher / Atlanta |
2018 | ||
A Becoming A Master of Ugly/Sexy. The Draedalix Experience |
2018 | ||
Elevations |
2018 | ||
Born to serve |
2019 | ||
Not yet titled; Das Herz |
2019 | ||
poscaenium |
2021 | ||
The person you called is unavailable |
2021 | ||
Nonno mit Papa, 1951; Papa, 1958; Ich mit Papa, 2002 |
2022 |