| titel | year | author | event |
|---|---|---|---|
Im Gjätt |
2019 |
Caraco, Françoise; Germann, Monica; Hagmann, Sabine; Hofer, Susanne; Kalt, Tanja; Maag, Georgette; Michell, Regula; Müller, Irene; Rutishauser, Eliane; Spörri, Regula
|
Plateaux Festival - Werte schaffen
|
In absentia corpus. A silent and intimate depiction of hidden levels of the human body |
2021 | ||
sometimes I feel like a filter |
2018 |
Hari, Gregory
|
Sommerfenster – Repeat
|
work no. 245. a hand |
2014 |
[Lea & Adrian]
|
|
RAMEN BURGERS AND GIANT TACOS. (RE-) IMAGINING AUTHENTICITY VIA FOOD AESTHETICS IN A CHANGING CONTEXT |
2018 | ||
If you`re empty you become a shell to someone else`s pearl |
2025-05-03 |
Widmer, Lea
|
|
The New Langwill Index: A Dictionary of Musical Wind-Instrument Makers and Inventors |
1993 | ||
THE SWIFT EROSION OF A CRATER THROUGH HUMAN INTERVENTION |
2020 |
Hahn, Alexander
|
|
A New Flow. The influence of Scenography on the perception and narration of public space |
2021 | ||
Tattered Queen |
2019 |
Séra, Hanga; Rokyta, Briant; Ohnoutka, Annemarie; Ruschka, Helga; Kellner, Renée
|
In Certo
|
Visiting Monika |
2019 |
Lascano, Maja
|
|
Une Histoire d'Amour |
2009 |
Rosset, Anne; Alexander, Robert
|
Stromereien 2009
|
What is a performance then? | Mais qu’est ce que c’est une performance? | En realidad ¿qué es una performance? |
02.11.2018 |
Ferrer, Esther
|
|
Birgit Kempker liest aus "Ein ungeratener Sohn" von Renate Rasp |
2018 | ||
Barcode Scenario |
From 2016 onwards |
Fieni, Matteo
|
|
Alice Wilke liest aus "13" |
2018 | ||
Christa Ziegler liest aus "Zeichen, Laute, Metalle, Feuer: oder die Ökonomie ihrer Leser_innen" von Quinn Latimer |
2018 | ||
HOMMAGE À JT |
2016 |
Suter, Olivier; Hersche, Klaus; [Compagnie Pyro'Zié]
|
|
The Process of Liquefaction. Liquidity as a visual concept to understand the society we live in |
2018 | ||
(1) an eye on a reflecting plane—its lens slightly tipping the surface / (2) untitled |
2017 | ||
FOR SALE |
2021 |
Velazquez, Alicia
|
SICHTBAR? SICHTBAR? Performance Summer Special
|
Netto-Null-Walk |
2021 |
Lerjen, Marie-Anne
|
Critical Care. Architektur für einen Planeten in der Krise
|
Rendez-vous Voliere |
2018 |
Vogel, Andrea; Dörig, Beatrice
|
Performance Open Air
|
Silvestro Ganassis «viola d’arco tastada» Report on a research project on its contextualization and reconstruction |
2013 | ||
Silvestro Ganassi’s “viola d’arco tastada”: Report on a research project on its contextualization and reconstruction |
2013 | ||
About Time |
2022 |
Borgunska, Mercedes
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
The poetic story of a state-of-mind. Sharing emotional states through self-illustrated graphic narratives |
2021 | ||
Ein Balztanz |
2018 |
Fabio Sonego
|
|
TearHead in Nashville |
2014 |
Staehli, Nina
|
-
|
Linda Cassens liest aus "Bottomless" von Linda Cassens Stoian |
2018 | ||
The Visual Lateral Directionality of Images. With a focus on the aspects: language-reading direction and handedness |
2019 | ||
BANG BANG: crissed crossed perfromance as a lecture as a performance as a lecture … |
2022 |
Rust, Dorothea
|
BANG BANG - translokale Performance Geschichte:n
|
ARCHIVES&BEYOND in Realtalk: Inpersonation Game |
2024-05-23 |
Behrman, Ruby
|
|
regeneriert viel |
1996 |
Hollenstein, Marcel [HALLE K]; Steffen, Karl [HALLE K]; Stoll, Alexander
|
Künstleraustausch Eindhoven NL / Frauenfeld CH
|
Brief an Yves |
2014 |
Maag, Irene
|
performanceABEND #2 <eigenartig>
|
Margrit as a Clown |
1993, 1994, 1994 |
Schenker, Margrit
|
|