| titel | year | author | event |
|---|---|---|---|
Linda Cassens liest aus "Bottomless" von Linda Cassens Stoian |
2018 | ||
ARCHIVES&BEYOND in Realtalk: Inpersonation Game |
2024-05-23 |
Behrman, Ruby
|
|
regeneriert viel |
1996 |
Hollenstein, Marcel [HALLE K]; Steffen, Karl [HALLE K]; Stoll, Alexander
|
Künstleraustausch Eindhoven NL / Frauenfeld CH
|
Brief an Yves |
2014 |
Maag, Irene
|
performanceABEND #2 <eigenartig>
|
Margrit as a Clown |
1993, 1994, 1994 |
Schenker, Margrit
|
|
A contre courant |
2010 |
Edens, Saskia
|
Performance Preis Schweiz - Sicht auf das Original
|
Der Kunstrundgang 04 |
2007-2010 |
Hofer, Susanne; Maag, Georgette; Niederhauser, Andreas
|
|
About Time |
2022 |
Borgunska, Mercedes
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
A Matter of Storytelling. On Image Perception and Meaning in the Digital Post-Processing of Documentary Photographs |
2020 | ||
SPAZIO A VOCE |
2014 |
Hildebrand, Hanna
|
ROAMING, RIPOSIZIONAMENTI
|
Mitoy as a hut |
2003 |
Pfister-Köfler, Hansjörg [Mirzlekid]
|
Projekt FUGE Thema 1, am Quartierfest Grünau
|
Nous partîmes 500 |
1984 |
Rosset, Anne; Pache, Raoul-Patrick
|
de la Bâtie
|
un tout petit peu |
2008 |
Grau, Pascale
|
Regionale 9, Münchner Kunstfilmfestival am Sommernacht: FilmFestival/ Transit Basel-Nairs 1/ Szenen aus dem Alltag
|
Mother Matrix |
2003 |
Streiff, Barbara; Kälin, Bruno
|
World Exhibition for Freedom
|
La Grand Bleu. A gentle and beautiful call for attention - Tender, empowering, simultaneous, sensitive, strong |
2021 | ||
About Time |
2022 |
Borgunska, Mercedes
|
FLUID ACADEMY : MAXIMAL ENERGY - MINIMAL TIME / BANG BANG - translokale Performance Geschichte:n
|
Einstein’s dreams. What are possible scenarios of theatre development and a new form of theatre after the pandemic? |
2021 | ||
Utopie einer Sozialisation |
1994 |
[stoeckerselig]
|
Korrespondierende Gefässe
|
Tagebuch: REVISETED PERFORMANCE und ARCHIVES & BEYOND Eine Recherche und ein Experiment zur Weiterschreibung von Haussaegen von 1995 der Gruppe a.b. |
2025 | ||
Streifenweise Selbstreflexion |
2021 |
Pfister-Köfler, Hansjörg [Mirzlekid; Kollabor]
|
PerFORM¡ Das kleine Performance Festival
|
Who's Afraid Of? |
2021 |
[Collective Doppelganger]
|
|
Ganassi: 'Regola Rubertina' (1542), 'Lettione Seconda' (1543). A synopsis of the text relating to the viol |
1978/1979 | ||
Eine BALLade, ein Einfraustück rund um den Ball in fünf Bildern |
1988 |
|
|
sometimes quickly changed |
2019 |
Lussi, Rochus
|
|
Precarious Graphic Design. Analysis and exploration of fictional projects as a manifestation of precariousness in the graphic-design profession |
2019 | ||
Expanding the Fields of Creativity Through Programming. Programming as a Means to Enhance the Entwurfsphase of the Design Process |
2020 | ||
Wohin ist es verschwunden? Fragmente einer Traumwelt |
2017 |
Wespi, Natalia; Luv, Linda
|
ACT Basel 2017
|
Me as a Fountain |
2019 |
Grau, Pascale
|
Performance Open Air
|
Fragen ARCHIVES & BEYOND |
2024 | ||
Silent Witnesses: A Groundbreaking Idea in the 1st Millenium BC Changed the Ancient Textile Industry and Laid the Foundation for Modern Clothing Production |
2021 | ||
Rückblick und Auswertung von Dorothee Daphi und Pascale Grau zu Revisted #1 in Basel |
2025 | ||
Rückblick und Auswertung zu Revisted #1 in Basel |
2024 | ||
A Fur of Fear |
2017 |
Mathis, Muda; Zwick, Sus; Hauert, Sibylle
|
Guyu Performance Festival China
|
Erkenntnisse: Workshop #1 REVISETED PERFORMANCE |
2024 | ||
Semi-improvised trumpet sonata played by a natural trumpet ensemble after Cesare Bendinelli’s “Volume di Tutta l’arte della trombetta” (1614) |
2023 | ||
Seien Sie Flugdame |
1990 |
Mathis, Muda [Les Reines Prochaines]; Madörin, Fränzi [Les Reines Prochaines]; Rist, Pipilotti [Les Reines Prochaines]; Schmid, Regina Florida [Les Reines Prochaines]; Streiff, Gabi [Les Reines Prochaines]
|
|